Photo: Mikhail Petrenko
No it’s not accordion, it’s bandoneon! I’m very glad to have been working with a renowned bandoneon player, Denis Plante from the group Tango Boréal.. Here’s a New Soundtrack composed for the last movie “El Lobo” by the Toronto producer Stéphane Dirschauer.: Listen to the piece ELSA : Inspired by Tango with a taste of Fusion Circus, an original cocktail, a New Sound. Buy the complete Soundtrack of the movie on Bandcamp for only a few dollars.. Recording : Alexandre Pampalon (Surf Studios). À tout casser!
Non, Ce n’est pas de l’accordéon, c’est du bandonéon! Je suis très heureux d’avoir travaillé pour cette musique avec un interprète de renom: Denis Plante du groupe Tango Boréal. Voici une Nouvelle Musique composée pour le dernier film « El Lobo »du réalisateur torontois Stéphane Dirschauer.. Écoutez la pièce ELSA : d’inspiration Tango avec une Fusion Cirque, un cocktail inusité, une nouvelle sonorité. Achetez la trame complète de ce mini-album sur Bandcamp pour quelques dollars.. Enregistrement : Alexandre Pampalon (Studios Surf). À tout casser!
Inteview in Revolutionthreesixty
R. Some feel there is no need to record classical music any more, that it’s all been done before. what do you tell them?
E.L. I feel there will always be a way to express music that has been written on a sheet of paper with a fresh approach, with different colors, different feelings. I don’t know. I tend to avoid categorizing things. I would put it this way: On the one hand there is a tradition where music is written as notes on the paper first. On the other hand, there is another tradition that comes from the application of recording, or improvisation first (electroacoustic, pop, folk whatever). And there are all other possibilities in between these two traditions. I can’t imagine where all of this will bring us in decades from now with the next levels of development in computers, some other technologies and more sophisticated software. I think it will be pretty amazing in the next few decades or centuries. Music may become more interactive with the listener and may take some new directions by integrating some other unknown aspects of reality. It may take us to a more direct or intuitive organic ways in its expression. We are kind of getting there with the interactive technologies available now but we are not there yet, I think. We are still very far away from the sort of freedom I imagine possible.
I don’t know what Classical means anymore. If it means History, I’m out of it… But I certainly think you can play an ancient music in a contemporary way.
READ THE FULL INTERVIEW HERE:
I just gave an interview that was published in the New York Webzine Revolutionthreesixty. Many interesting question were asked to me about my personal experience as a professional musician and guitarist in Canada,
Questions were very relevant and made me express some views.
This is one of the Question I was asked; “Some feel there is no need to record classical music any more, that it’s all been done before. what do you tell them?”I
Bonne et excellente nouvelle Année! Voici un tout nouveau vidéo promotionnel qui démontre très bien la couleur et l’intensité du nouveau programme « Musiques choisies pour Guitare » que j’aurai le plaisir de présenter le dimanche 16 février prochain aux Concerts Ponticello dans la municipalité de Aylmer tout près d’Ottawa. Ce spectacle met au programme les musiques virtuoses des Grands Classiques espagnols, brésiliens ainsi que ma propre musique.Vous pourrez y entendre des extraits de pièces telles que Aranjuez, mon Amour et Jeux Interdits.
This video contains a mix of favorite pieces for the Classical Guitar. From the most popular Jeux interdits, Prelude no.1 by Great brazilian composer Heitor Villa-Lobos, Danza Espanola no.5 by Spanish composer Enrique Granados, Aranjuez, mon Amour, a solo version of the very popular Concerto de Aranjuez arranged by the composer Joaquin Rodrigo himself. Also there is the Miller Danse by the well known Spanish composer Manuel De Falla. It also incorporates some on my own Guitar compositions.Produced by Productions Video Qualia. Enjoy!
This compilation “Breaking Through” is the product of an international collaboration of Artists. A community and a philosophy, Antara was created in England by Annemarie Borg. It brings together the original music of nine composers and the works of art, poems, and contributions of international poets, writers and ecologists. Montreal based composer Eric Lemieux manages to create a gentle but uplifting atmosphere. http://cdbaby.com/cd/antaraambbreakingthrough
For more informations on this New Album I invite you to listen to this Podcast. Annemarie Borg gives an interview to present this beautiful project. http://www.spreaker.com/user/soniccoast/antara_project_in_conversation
A mix of Contemporary and Classical sound. I worked a lot to get to it. I’d like to invite you to listen to this brand new Soundtrack! (CAO-ONF production, by the producer from Toronto: Stéphane Dirschauer).
Here’s the Opening Title Generic for the Short Footage movie “Vol de Nuit”. I composed this Music in 2011. It’s a dramatic film made by the Producer Stéphane Dirschauer from Toronto. Quite a interesting project to work on. Eric Lemieux
VOL DE NUIT (2011, 23 minutes). Avec / With Marilyn Castonguay, Bernard Arène, Conrad Bergschneider, Ola Sturik, Emmanuel Kabongo. Scénario, production et réalisation / Written, produced and directed by Stéphane Dirschauer. Direction de la photographie / Cinematography by Maya Bankovic. Montage / Edited by Nadia Tan. Décors / Production Design by Jeannette Nguyen. Costumes / Costume Design by Olivia Sementsova. Musique originale / Original Music by Eric Lemieux. Prise de son / Sound Mixing by Pedro Peres.
Next Concert in the Montreal area:
Organized by Maison de la Culture Lachine.
Mes Musiques favorites pour guitare.
Sunday, November 18, 2012 – 11:00A.M.
Pavillon de l’Entrepôt (Lachine)
2901, boulevard Saint-Joseph, Lachine, H8S 4B7.
Contact : 514 634.3471
All details : http://www.lapresse.ca/agenda/09-26992-eric-lemieux.php
John Dowland, Fortune my foe
Eric Lemieux, photo: André Dumais, 2012